Description

 Ableton Live Suite 8.1.1 and Training Tutorial Videos
Learn and produce with this all inclusive Torrent


Ableton Suite is the XL version of Ableton Live. Suite 8 gives you all of the features in Live 8 plus SOUND, with a radically new Library packed with beautiful new sounds and a wealth of useful resources. Suite 8 contains 10 Ableton instruments including synths, a sampler, electric and acoustic drums, mallets, numerous sampled instruments and the new, reworked Operator. Two completely new instruments, Collision and Latin Percussion, round off the set. Ableton Suite 8 is a complete package: the tools AND the sounds. 


The tools 

Ableton Live 8 provides a comprehensive environment for writing, producing and performing music. 
imageSession View 
Live is the only music production software with the "Session View": a unique grid for recording and playing musical ideas and phrases. The Session View is non-linear, so you can record and play back your ideas in any order you want. When you're working on a new track, this is a smart, flexible way to write and record. If you're performing music live, it gives you complete flexibility and freedom to improvise. 
imageArrangement View 
Live also has a second view: the "Arrangement View," a complete music production environment. This is the linear counterpart to the Session View and is well-suited to "traditional" recording, arranging and mixing. These two views interact with one another, each with its own strengths and intricacies. Both views are based on the single principle of creative, intuitive music-making. 
imageUninterrupted creative flow 
In Live, you never have to stop the music. Record audio and MIDI on the fly, drop in loops and samples, add effects and swap sounds without ever hitting the stop button: everything happens in real time. You're free to improvise and the computer actually becomes a musical instrument—an expressive and creative tool, perfectly at home on stage or in the studio. 
imageBeats made easy 
Live's unique Drum Rack combines drag-and-drop simplicity in a familiar pad-style interface. Each of the 128 drum pads can have its own instrument or sample plus effects. Slice beats, loops or REX files to MIDI for additional control options and use the new groove feature (which includes grooves from the legendary MPC and SP1200 machines) to add swing to your beats. 
imageCreative expression for DJs 
Mix and match tracks and loops automatically, remix on the fly, capture audio loops in real time from decks and other external sources, incorporate your own productions into the mix, and much more. Whether it's the centerpiece of the DJ rig or just a creative sidearm, Live gives DJs entirely new worlds of creative expression. 
imageLooping with Live 
Not only for guitarists, the Ableton Looper gives you classic sound-on-sound looping without the limitations of a hardware device. Looper is set up for remote operation, so you can record, overdub, undo and more without touching the computer. 
imageTotally compatible 
Live works seamlessly with controller hardware and assigning custom MIDI controls is simple. Live supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files, VST and AU effects and instruments. Live can handle REX files and runs as a ReWire Master or Slave, so it works nicely alongside other DAWs like Pro Tools, Logic, Cubase or Reason. And if you have a multicore or multiprocessor system, Live supports that, too. 


The sounds 

Ableton Suite 8's library is a well-balanced and comprehensive collection of sounds and resources including synthesis, real-world "Sound Objects", presets, grooves, templates and, above all, a wide-ranging set of beautiful sounds. 

Ableton instruments 

Ableton Suite 8 includes six powerful synthesizers and a selection of authentic sample-based instruments: an arsenal of tools for serious sound design. 

Sampler is a sampling instrument that brings powerful multisample playback and import, as well as profound sound design capabilities to Ableton Live. 

Operator is a frequency modulation synthesizer that delivers an eclectic spectrum of sonic possibilities and musical inspiration. 

Collision is a unique physical modeling instrument for authentic mallet sounds and creative percussion. 

Electric offers the sounds of classic electric pianos through physical modeling synthesis, allowing you to dive inside and play with the guts of the instrument. 
imageTension 
Tension is a physical modeling string synthesizer capable of creating incredibly accurate reproductions of real stringed instruments or otherworldly hybrids. 

Analog emulates the unique circuitry and irresistible tweakability of vintage analog synthesizers. Able to produce everything from silky pad sweeps to earth-shaking bass. 

A choice selection of acoustic and electric pianos, guitars, bass, drums, orchestral instruments and more. 

Session Drums is a meticulously multisampled library of acoustic drums that reproduces the nuances of a recording session and puts you in the engineer's seat. 

Drum Machines offers a choice selection of classic drum machines, meticulously sampled to faithfully reproduce the original sounds. 

Latin Percussion is a collection of acoustic percussion instruments such as congas, bongos, timbales, claves, shakers, tambourines and bells from the worlds of Brazilian, Afro-Cuban and African music. 

Key features 

* Multitrack recording up to 32-bit/192 kHz 
* Nondestructive editing with unlimited undo 
* Powerful MIDI sequencing of software and hardware instruments 
* Advanced warping and real-time time-stretching 
* Library with over 1600 expressive sounds, each with versatile control options 
* A comprehensive selection of built-in audio and MIDI effects 
* A wide range of software instruments 
* Instrument Racks for simple management of complex instrument setups 
* Drum Racks for intuitive and responsive beat-making 
* Effect Racks for professional-grade mastering, mixing and creative sound processing 
* New groove engine; apply and extract grooves in real time 
* Construction kits containing loops and phrases in a number of styles 
* Sound Objects Lite, from SonArte: a toolkit of real world object recordings 
* 440 MB of abstract, experimental loops from renowned music software pioneers Cycling '74 * 
* Over 400 loops and samples from Zero-G * 
* 1000s of single-device presets: simple components for making new sounds and exploring synthesis 
* Song templates with pre-configured tracks and routing 
* Supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files 
* VST and AU support; automatic plug-in delay compensation 
* REX file support plus built-in audio to MIDI slicing 
* Video import and export for scoring, video warping 
* Simple MIDI mapping plus instant mapping for selected hardware 
* Full ReWire support; runs as Slave or Master 
* Multicore and multiprocessor support

Included Tutorials

Chapter 1 - Getting Set Up / Section 1 - Introduction / 02. Musicians & Producers Start Performing .mov 10.8 MB 
Chapter 1 - Getting Set Up / Section 1 - Introduction / 03. Performers & DJ's Start Producing .mov 10.7 MB 
Chapter 1 - Getting Set Up / Section 1 - Introduction / 01. Why Ableton Live is The Future of Music .mov 4.2 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 08. Installing Live Packs .mov 9.3 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 07. Confirm What's Installed .mov 9.2 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 05. Installation & Registration .mov 5.9 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 06. Update Live via The Help Menu .mov 5.2 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 09. Open a Live Set .mov 3.8 MB 
Chapter 1 - Getting Set Up / Section 2 - Installation / 04. Which Version of Live .mov 2.8 MB 
Chapter 1 - Getting Set Up / Section 3 - Preferences / 14. Look & Feel .mov 11.7 MB 
Chapter 1 - Getting Set Up / Section 3 - Preferences / 11. Optimizing Your Audio Interface .mov 11.4 MB 
Chapter 1 - Getting Set Up / Section 3 - Preferences / 10. Setting Up Audio Interfaces .mov 10.2 MB 
Chapter 1 - Getting Set Up / Section 3 - Preferences / 13. Playing Instruments with External USB Keyboards .mov 9.6 MB 
Chapter 1 - Getting Set Up / Section 3 - Preferences / 12. Playing Instruments with your Computer Keyboard .mov 9.2 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 19. The Transport .mov 12 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 21. Navigating the Arrangement View .mov 11.6 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 18. Recording from the Session to the Arrangement .mov 11.5 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 16. The Session View Part 2 .mov 9.1 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 20. Looping .mov 7.9 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 17. The Arrangement View .mov 6 MB 
Chapter 1 - Getting Set Up / Section 4 - The Interface / 15. The Session View Part 1 .mov 6 MB 
Chapter 1 - Getting Set Up / Section 5 - The Browser / 25. Loading Sample CD's & Live Sets .mov 8.4 MB 
Chapter 1 - Getting Set Up / Section 5 - The Browser / 26. What You Need to Know About Saving .mov 7.6 MB 
Chapter 1 - Getting Set Up / Section 5 - The Browser / 23. Copy, Move & Manage Files .mov 6.8 MB 
Chapter 1 - Getting Set Up / Section 5 - The Browser / 22. Navigating the Browser .mov 6.5 MB 
Chapter 1 - Getting Set Up / Section 5 - The Browser / 24. Search & Bookmark .mov 5.8 MB 
Chapter 1 - Getting Set Up / Section 6 - Tempo / 27. Tap & Nudge Tempo .mov 7.1 MB 
Chapter 1 - Getting Set Up / Section 6 - Tempo / 29. Audio Analysis & Tempo .mov 6.9 MB 
Chapter 1 - Getting Set Up / Section 6 - Tempo / 28. Setting Up Live to Send and Receive Tempo .mov 6 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 34. Understanding Warp Markers 1 .mov 12.6 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 35. Understanding Warp Markers 2 .mov 12.3 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 32. Warp Modes & Preferences 1 .mov 12.2 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 37. Creative Warp Modes .mov 11.2 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 36. Creative Warp Marks .mov 11.2 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 40. Cropping & Reversing Audio .mov 9.8 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 41. Using Third Party Sample Editors .mov 9.2 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 31. Loading Multiple Clips .mov 9 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 33. Warp Modes & Preferences 2 .mov 8.4 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 39. Quantize Audio Using Groove Pool .mov 8 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 30. Setting Up a Cue Mix & a Crossfader .mov 7.3 MB 
Chapter 2 - Working with Audio / Section 7 - Preparing Audio for Use in Live / 38. Quantizing Audio .mov 4.3 MB 
Chapter 2 - Working with Audio / Section 8 - Working With Clips / 42. Editing Clip Envelopes .mov 16 MB 
Chapter 2 - Working with Audio / Section 8 - Working With Clips / 45. Scrambling Beats with Envelopes .mov 8.7 MB 
Chapter 2 - Working with Audio / Section 8 - Working With Clips / 46. Slice an Audio Clip into a MIDI Instrument .mov 8 MB 
Chapter 2 - Working with Audio / Section 8 - Working With Clips / 43. Copy, Paste & Un-Linking Envelopes .mov 6.9 MB 
Chapter 2 - Working with Audio / Section 8 - Working With Clips / 44. Adding Envelopes From The Groove Pool .mov 5.8 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 51. Recording into the Session View .mov 10.8 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 49. Loop Recording in the Arrangement .mov 10.6 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 52. Record Using Looper 1 .mov 9.7 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 54. Record & Resample Audio Between Tracks .mov 9.4 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 50. Comping Several Takes into One Clip .mov 9 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 47. Setting Up Inputs, Metronome & Recording Preferences .mov 7.6 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 53. Record Using Looper 2 .mov 7.1 MB 
Chapter 2 - Working with Audio / Section 9 - Audio Recording / 48. Recording into the Arrangement .mov 4.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 63. Quantizing MIDI & Using the Groove Pool .mov 13.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 65. MIDI Effects .mov 12.7 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 59. Recording MIDI into the Session .mov 10.3 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 61. The MIDI Note Editor 1 .mov 10.3 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 60. Overdubbing Quantized MIDI .mov 10.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 62. The MIDI Note Editor 2 .mov 9.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 56. Loading Instruments & Hot Swapping Sounds .mov 9.7 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 55. The Power of Live Devices .mov 9.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 58. Recording MIDI into the Arrangement .mov 7.6 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 66. Managing MIDI Files .mov 7.6 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 64. Recording MIDI from One Track to Another .mov 6.1 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 10 - Working With MIDI / 57. Configuring External MIDI Instruments .mov 5.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 70. Navigating Devices & Racks .mov 13.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 72. Mapping Macro Controls .mov 12.4 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 71. Understanding the Chain List .mov 11.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 74. More Cowbell Using Drum Racks 2 .mov 10.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 73. More Cowbell Using Drum Racks 1 .mov 7.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 69. The Live Devices & the Drag On 2 .mov 7.6 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 67. Four Types of Device Racks .mov 7.5 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 11 - Device Racks / 68. The Live Devices & the Drag On 1 .mov 7.2 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 80. Master Bus Tools .mov 16.3 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 79. Recording Audio Effects .mov 14.7 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 78. Mapping Plug Ins to Your Controller .mov 14.5 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 82. Pitch Based Effects - Vocoder .mov 13.3 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 77. Performance Based Effects 2 .mov 11.9 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 76. Performance Based Effects 1 .mov 10.4 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 81. Side Chain Compression .mov 9.7 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 75. Sends, Returns & Understanding Audio Effects .mov 9.1 MB 
Chapter 3 - Live Devices, MIDI & Effects / Section 12 - Audio Effects / 83. Pitch Based Effects - Corpus .mov 4.8 MB
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 88. Editing Regions in the Arrangement .mov 19.6 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 91. Mix Down & Exporting .mov 12.2 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 84. Navigating The Mixer 1 .mov 11.1 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 86. Grouping, Sub-Mixes & Bussing 1 .mov 10.3 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 87. Grouping, Sub-Mixes & Bussing 2 .mov 8.2 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 89. Editing Automation in the Arrangement 1 .mov 8 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 90. Editing Automation in the Arrangement 2 .mov 7.5 MB 
Chapter 4 - Pulling It All Together / Section 13 - Mixing & Automation / 85. Navigating The Mixer 2 .mov 7.4 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 95. Launch Modes .mov 17 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 94. The Akai APC-40 .mov 15.4 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 97. Working with Video & Track Freeze 1 .mov 12.8 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 92. Understanding Scenes 1 .mov 11.9 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 93. Understanding Scenes 2 .mov 7.6 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 96. Follow Actions .mov 7.3 MB 
Chapter 4 - Pulling It All Together / Section 14 - Building A Live Set / 98. Working with Video & Track Freeze 2 .mov 6.8 MB